
A discography film
Five albums in seven years, from a home studio in Stockton to a Nigel Godrich production, and the long second life that followed.
Scroll to play the film. The pictures are made of dots: move over them, and play a sample to see them move with the music.
1989
Pavement began in Stockton, California, in 1989 as a recording project for two friends, Stephen Malkmus and Scott Kannberg, who called themselves S.M. and Spiral Stairs. They recorded at Louder Than You Think, a home studio run by Gary Young, a local drummer about 13 years older than them, and he became their drummer.
Bassist Mark Ibold and a second drummer, Bob Nastanovich, joined in 1991. Steve West took over from Young in 1993, and that five-piece made the rest of the records.
Sources: AllMusic, NME 2023. Photo: Masao Nakagami, CC BY-SA 2.0.
April 20, 1992
Matador · produced by Pavement, recorded mostly at Louder Than You Think, Stockton
“I was dressed for success / But success it never comes”
Malkmus and Kannberg made their first album before Pavement had really worked as a live band, with Young drumming along to their guitars as they went. Most of it was recorded in Young’s home studio in Stockton in early 1991.
Critics were praising it before it was even released, and it became one of the defining records of 1990s indie rock. It is the only Pavement album with Young on drums.
Sources: Magnet 2015, AllMusic, Matador: Slanted, Artnet 2022, Genius. Sample: a 30-second preview from Apple Music.
February 14, 1994
Matador · produced by Pavement, recorded mostly at Random Falls, New York
“Songs mean a lot when songs are bought / And so are you”
The second album was a clean break. Young was gone, Steve West was in, and the band moved from Stockton to a studio in New York. The songs were sharper and more melodic than the debut’s.
“Cut Your Hair” became a modern-rock radio and MTV hit, although Matador later admitted that getting radio to play it had been a struggle.
Sources: Matador 2019, AllMusic, Matador: Crooked Rain, Genius. Sample: a 30-second preview from Apple Music.
April 11, 1995
Matador · produced by Pavement, recorded mostly at Easley Recording, Memphis
“Boys are dying on these streets”
With the industry hoping the follow-up to Crooked Rain would be their breakthrough, Pavement made their longest and strangest album, 18 songs and close to an hour long.
At the time some critics found it directionless. It has since come to be heard as the last of three masterpieces in a row.
Sources: Stereogum 2015, Stereogum 2016, Matador: Wowee Zowee, Wikipedia: Wowee Zowee, Genius. Sample: a 30-second preview from Apple Music.
February 11, 1997
Matador · produced by Mitch Easter and Pavement, recorded in North Carolina
“What about the voice of Geddy Lee / How did it get so high?”
After Wowee Zowee, Pavement tried something new: rehearsing. They spent three weeks working up songs Malkmus had written at home in Portland before recording with Mitch Easter in the summer of 1996.
The result was more focused and approachable, and it became their highest-charting album in the US.
Sources: Houston Press 1997, AllMusic, Matador: Brighten, IMVDb, Genius. Sample: a 30-second preview from Apple Music.
June 8, 1999
Matador · produced by Nigel Godrich
“Honey, I’m a prize and you’re a catch”
For their last album Pavement worked for the first time with a famous producer from outside the band: Nigel Godrich, fresh from Radiohead and Beck. He wanted a tighter record that could reach more people, and the sessions moved from Portland to expensive studios in New York and London.
They were tense. Kannberg felt his songs were being sidelined, and Godrich and the band clashed over direction and cost. The reviews were strong all the same.
Sources: Stereogum 2019, AllMusic, Matador: Terror Twilight, Matador, Genius. Sample: a 30-second preview from Apple Music.
1999 onwards
Pavement played what turned out to be their last show for a decade at London’s Brixton Academy on November 20, 1999, with handcuffs hanging from Malkmus’s microphone stand. They called it a hiatus; it was a split.
They reunited in 2010 for a world tour that opened with four sold-out nights in Central Park. Then their songs found a new, younger audience online, which brought them back again in 2022, and in 2024 Alex Ross Perry made a film about them.
Sources: NME 1999, AllMusic, Pollstar 2009, NME 2024, Consequence 2024, Stereogum 2024, NPR 2025, BrooklynVegan 2022. Photo: Siegfy, CC BY-SA 2.0.